{"id":409,"date":"2009-07-23T00:05:06","date_gmt":"2009-07-22T21:05:06","guid":{"rendered":"http:\/\/kariyeryolculugu.com\/blog\/2009\/07\/23\/yaratici-aklin-sinirlarinda\/"},"modified":"2009-07-23T00:05:06","modified_gmt":"2009-07-22T21:05:06","slug":"yaratici-aklin-sinirlarinda","status":"publish","type":"post","link":"https:\/\/kariyeryolculugu.com\/blog\/2009\/07\/23\/yaratici-aklin-sinirlarinda\/","title":{"rendered":"Yarat\u0131c\u0131 Akl\u0131n S\u0131n\u0131rlar\u0131nda"},"content":{"rendered":"

<\/p>\n

Yazan: Oktay Taftal\u0131, <\/a><\/strong><\/span>\u015e<\/a><\/strong><\/span>air, felsefeci, pedagog<\/a>\u00a0<\/span><\/strong><\/span><\/span><\/p>\n

Diyalektik mant\u0131k a\u00e7\u0131s\u0131ndan insan bilinci, d\u0131<\/strong><\/span>\u015f<\/strong><\/span>\u0131m\u0131zdaki maddi d\u00fcnyan\u0131n bir yans\u0131mas\u0131d\u0131r.<\/strong><\/span> O nedenle topluma ve do<\/span>\u011f<\/span>aya egemen oldu<\/span>\u011f<\/span>u varsay\u0131lan yasalar, ayn\u0131 zamanda bilincimize de egemen olan yasalar\u0131d\u0131r. Ba<\/span>\u015f<\/span>lang\u0131\u00e7ta do<\/span>\u011f<\/span>an\u0131n bir par\u00e7as\u0131 olan insano<\/span>\u011f<\/span>lu, zorunlu olarak bu yasalara t\u00e2bidir. Ancak insan, kurdu<\/span>\u011f<\/span>u medeniyet, ya<\/span>\u015f<\/span>ad\u0131<\/span>\u011f<\/span>\u0131 tarih ve \u00fcretti<\/span>\u011f<\/span>i k\u00fclt\u00fcr sayesinde, do<\/span>\u011f<\/span>adan s\u0131yr\u0131l\u0131p \u00e7\u0131kt\u0131k\u00e7a, do<\/span>\u011f<\/span>aya egemen olan yasalardan da s\u0131yr\u0131l\u0131p \u00e7\u0131kt\u0131<\/span>\u011f<\/span>\u0131 san\u0131s\u0131na kap\u0131lm\u0131<\/span>\u015f<\/span>t\u0131r. <\/span>\u0130<\/span>nsan\u0131n medeniyet kurarak, bir tarih ve k\u00fclt\u00fcr varl\u0131<\/span>\u011f<\/span>\u0131na d\u00f6n\u00fc<\/span>\u015f<\/span>mesi, onun ayn\u0131 zamanda ait oldu<\/span>\u011f<\/span>u do<\/span>\u011f<\/span>a yasalar\u0131n\u0131 ke<\/span>\u015f<\/span>fetme ve onlar\u0131 denetleme s\u00fcrecidir. <\/span>\u0130<\/span>nsan, g\u00fcndelik hayatta, denetleyebildi<\/span>\u011f<\/span>i, adeta efendisi kesildi<\/span>\u011f<\/span>i yasalar\u0131n kendisi i\u00e7in ge\u00e7erli olmad\u0131<\/span>\u011f<\/span>\u0131n\u0131 sansa bile, varolu<\/span>\u015f<\/span>unun s\u0131n\u0131rlar\u0131n\u0131 belirleyen do<\/span>\u011f<\/span>um ve \u00f6l\u00fcm yasalar\u0131, onu do<\/span>\u011f<\/span>a kar<\/span>\u015f<\/span>\u0131s\u0131nda al\u00e7ak g\u00f6n\u00fcll\u00fc olmaya davet eder. Ancak o, bireysel hayat\u0131nda bu durumlarla ne denli seyrek kar<\/span>\u015f<\/span>\u0131la<\/span>\u015f<\/span>\u0131rsa, o denli kibirli olmaya a\u00e7\u0131kt\u0131r. <\/span>\u0130\u015f<\/strong><\/span>te bundan dolay\u0131, derin ac\u0131lar\u0131n ve y\u00fcksek sevin\u00e7lerin insan\u0131 olgunla<\/strong><\/span>\u015f<\/strong><\/span>t\u0131rd\u0131<\/strong><\/span>\u011f<\/strong><\/span>\u0131 varsay\u0131l\u0131r. <\/strong><\/span>\u0130<\/strong><\/span>nsan\u0131n olgunla<\/strong><\/span>\u015f<\/strong><\/span>mas\u0131 ise do<\/strong><\/span>\u011f<\/strong><\/span>a ve ona ait di<\/strong><\/span>\u011f<\/strong><\/span>er varl\u0131klar ve di<\/strong><\/span>\u011f<\/strong><\/span>er insanlar kar<\/strong><\/span>\u015f<\/strong><\/span>\u0131s\u0131nda al\u00e7ak g\u00f6n\u00fcll\u00fc (veya y\u00fcce g\u00f6n\u00fcll\u00fc) olabilme halidir.\u00a0<\/span><\/strong><\/span><\/span><\/p>\n

Do<\/span>\u011f<\/span>um ve \u00f6l\u00fcm yasalar\u0131, do<\/span>\u011f<\/span>aya egemen olan genel-ge\u00e7er \u201cnedensellik yasas\u0131\u201dn\u0131n (causa legis), canl\u0131 varl\u0131k a\u00e7\u0131s\u0131ndan ilk aka gelen \u00f6rne<\/span>\u011f<\/span>idir. Neden-sonu\u00e7, neden-etki bi\u00e7iminde \u00f6zetledi<\/span>\u011f<\/span>imiz \u201cnedensellik yasas\u0131\u201d uyar\u0131nca, do<\/span>\u011f<\/span>ada ve nesneler d\u00fcnyas\u0131nda her bir \u201c<\/span>\u015f<\/span>ey\u201d, bir ba<\/span>\u015f<\/span>ka \u201c<\/span>\u015f<\/span>ey\u201dle ilinti i\u00e7indedir. Yani Akdeniz\u2019deki bir su damlas\u0131yla, Sibirya\u2019daki tek h\u00fccreli bir canl\u0131 aras\u0131nda veya Etna Yanarda<\/span>\u011f<\/span>\u0131\u2019ndaki bir lav k\u00fctlesiyle, Ankara\u2019da soludu<\/span>\u011f<\/span>umuz hava aras\u0131nda ya da Afrikal\u0131 bir annenin sa<\/span>\u011f<\/span>l\u0131k sorunlar\u0131yla, Japonya\u2019daki i<\/span>\u015f<\/span>sizlik sigortas\u0131 aras\u0131nda bir ba<\/span>\u011f<\/span>\u0131nt\u0131; eski deyimle bir \u201cilliyet\u201d vard\u0131r.<\/span><\/p>\n

\u0130\u015f<\/strong><\/span>te insan bilinci de bu \u201cilliyet\u201d yani nedensellik yasas\u0131na t\u00e2bi oldu<\/strong><\/span>\u011f<\/strong><\/span>u i\u00e7in, farkl\u0131 insanlar\u0131n, fark\u0131 oldu<\/strong><\/span>\u011f<\/strong><\/span>u varsay\u0131lan bilin\u00e7leri, ortak ya da benzer \u201cmant\u0131k\u201dlar, ortak ya da benzer \u201cmatematik\u201dler kurarlar<\/strong><\/span>. Ola<\/span>\u011f<\/span>an ve sa<\/span>\u011f<\/span>l\u0131kl\u0131 insanlar\u0131n bilin\u00e7leri \u2013 ba<\/span>\u015f<\/span>kaca kas\u0131tl\u0131 bir niyet yoksa \u2013 benzer \u00e7a<\/span>\u011f<\/span>r\u0131<\/span>\u015f<\/span>\u0131mlar (associare\/assoziation), benzer mant\u0131klar etraf\u0131nda anla<\/span>\u015f<\/span>maya ve uyum sa<\/span>\u011f<\/span>lamaya elveri<\/span>\u015f<\/span>lidirler. \u201cAkl\u0131n yolu birdir\u201d <\/span>\u015f<\/span>eklindeki \u00f6zdeyi<\/span>\u015f<\/span> bu yasadan g\u00fc\u00e7 alan bir ifadedir. Asl\u0131nda kas\u0131t olsa bile, ola<\/span>\u011f<\/span>an veya s\u0131radan insan\u0131n, bilincinde, nesneler d\u00fcnyas\u0131ndaki neden-sonu\u00e7 yasas\u0131na ayk\u0131r\u0131 ilgiler kurabilmesi \u00e7ok zor, neredeyse imkans\u0131zd\u0131r.<\/span><\/p>\n

\u0130<\/span>lkokul \u00e7a<\/span>\u011f<\/span>lar\u0131nda arkada<\/span>\u015f<\/span>lar\u0131m\u0131zla oynard\u0131k, ans\u0131z\u0131n:<\/span><\/span><\/span><\/p>\n

– <\/span>Bana bir renk s\u00f6yle<\/o:p><\/span><\/p>\n

– <\/span>k\u0131rm\u0131z\u0131<\/o:p><\/span><\/p>\n

– <\/span>bana bir meyva s\u00f6yle<\/o:p><\/span><\/p>\n

– <\/span>elma<\/o:p><\/span><\/p>\n

olgun ya<\/span>\u015f<\/span>a geldikten sonra neden-sonu\u00e7 ili<\/span>\u015f<\/span>kisi kapsam\u0131nda sa<\/span>\u011f<\/span>l\u0131kl\u0131 ve ola<\/span>\u011f<\/span>an bir bilin\u00e7 \u201ck\u0131rm\u0131z\u0131\u201dy\u0131 ve \u201celma\u201dy\u0131, kolayl\u0131kla Havva, a<\/span>\u015f<\/span>k, Cennet ve ilk g\u00fcnah\u2019la ili<\/span>\u015f<\/span>kilendirebilir.\u00a0<\/span><\/p>\n

Anla<\/span>\u015f<\/span>\u0131laca<\/span>\u011f<\/span>\u0131 gibi, bilincin do<\/span>\u011f<\/span>al \u00e7a<\/span>\u011f<\/span>r\u0131<\/span>\u015f<\/span>\u0131mlar\u0131 ve ola<\/span>\u011f<\/span>an ba<\/span>\u011f<\/span>\u0131nt\u0131lar\u0131 aras\u0131nda, yarat\u0131c\u0131l\u0131kla ilgili hemen hemen pek fazla bir <\/span>\u015f<\/span>ey yoktur. Eksi bir zeminden, yarat\u0131c\u0131l\u0131<\/span>\u011f<\/span>\u0131n s\u0131f\u0131r noktas\u0131na y\u00fckselmek, i<\/span>\u015f<\/span>te bu ola<\/span>\u011f<\/span>an ve \u00e7o<\/span>\u011f<\/span>u insan taraf\u0131ndan kan\u0131ksanm\u0131<\/span>\u015f<\/span> ilgi ve ba<\/span>\u011f<\/span>\u0131nt\u0131lar\u0131n, yani \u201cnedensellik yasas\u0131n\u0131n\u201d bilin\u00e7 d\u00fczeyinde k\u0131r\u0131labilmesi veya bozulabilmesiyle<\/strong><\/span> m\u00fcmk\u00fcnd\u00fcr. Fakat zor bir i<\/span>\u015f<\/span>tir bu. \u00c7\u00fcnk\u00fc, bardak tasarlay\u0131nca su, masa tasarlay\u0131nca sandalye, vb. ister istemez insan akl\u0131na \u00fc<\/span>\u015f<\/span>\u00fc<\/span>\u015f<\/span>\u00fcr.<\/span><\/p>\n

Gelgelelim, \u00e7ok seyrek de olsa verili ger\u00e7ekli<\/strong><\/span>\u011f<\/strong><\/span>in d\u0131<\/strong><\/span>\u015f<\/strong><\/span>\u0131na \u00e7\u0131kabilen, verili \u201cneden-sonu\u00e7\u201d ilgisini bilincinde k\u0131rabilen insanlar vard\u0131r<\/strong><\/span>. Bunlar\u0131n \u00f6nemli bir k\u0131sm\u0131n\u0131 \u201cpsiko-patalojik\u201d hastalar\u0131n olu<\/span>\u015f<\/span>turdu<\/span>\u011f<\/span>u s\u00f6ylenebilir. Fakat b\u00fct\u00fcn d\u00fcnyan\u0131n tan\u0131d\u0131<\/span>\u011f<\/span>\u0131 ve sanatta \u201cGer\u00e7ek\u00fcst\u00fcc\u00fcl\u00fck\u201d ve \u201cDadaizm\u201d diye adland\u0131r\u0131lan ak\u0131mlar\u0131 temsil eden, Andr\u00e9 Breton, Hugo Ball, Tristan Tzara, Salvador Dali gibi isimler, nesneler d\u00fcnyas\u0131ndaki \u201cneden-sonu\u00e7\u201d ilgisini en az\u0131ndan imge d\u00fczeyinde k\u0131rarak veya bozarak<\/strong><\/span>, s\u0131radan bilincin ilgi i\u00e7inde tasavvur edemeyece<\/span>\u011f<\/span>i, nesne, durum, olgu ve olaylar\u0131 resim, edebiyat gibi alanlarda birer sanatsal ifadeye d\u00f6n\u00fc<\/span>\u015f<\/span>t\u00fcrm\u00fc<\/span>\u015f<\/span>lerdir. Bu <\/span>\u015f<\/span>ah\u0131slar \u201cpsikotik\u201d olmamakla(!) birlikte, ancak \u201cpsikotik\u201d bir bilincin (ya da bilin\u00e7sizlik halinin) \u00f6ng\u00f6rebilece<\/span>\u011f<\/span>i eserler tasarlam\u0131<\/span>\u015f<\/span>lard\u0131r. Yazd\u0131<\/span>\u011f<\/span>\u0131 bir <\/span>\u015f<\/span>iirde Andr\u00e9 Breton<\/a>, bir at kafas\u0131yla, varisli bir insan damar\u0131\u2019n\u0131 ayn\u0131 ilgi i\u00e7inde g\u00f6rebilmi<\/span>\u015f<\/span>tir. Tristan Tzara, Dadaizm\u2019in manifestosunda<\/a> bir gazete sayfas\u0131ndan makasla kesece<\/span>\u011f<\/span>iniz s\u00f6zc\u00fckleri, bir torbaya atarak, torbay\u0131 \u00e7alkalaman\u0131z\u0131, sonra bu torbadan \u00e7ekece<\/span>\u011f<\/span>iniz s\u00f6zc\u00fckleri geli<\/span>\u015f<\/span>ig\u00fczel yan yana ve alt alta dizerek ola<\/span>\u011f<\/span>an\u00fcst\u00fc g\u00fczel bir metin elde edece<\/span>\u011f<\/span>inizi s\u00f6yler. Savador Dali\u2019nin resimleri bu konuda en \u00e7ok bilinen eserlerdir. Denizin uzaklara \u00e7ekildi<\/strong><\/span>\u011f<\/strong><\/span>i bir \u00e7\u00f6lde, bir masa ve masa \u00fcst\u00fcndeki kuru a<\/strong><\/span>\u011f<\/strong><\/span>a\u00e7 dal\u0131na as\u0131lm\u0131<\/strong><\/span>\u015f<\/strong><\/span> eriyen bir saat, s\u0131radan insan bilinci taraf\u0131ndan kolay kolay tasarlanamad\u0131<\/strong><\/span>\u011f<\/strong><\/span>\u0131 i\u00e7in, o <\/strong><\/span>Salvador Dali<\/a>\u2019dir.<\/strong><\/span><\/p>\n

Ancak, birisi kar<\/strong><\/span>\u015f<\/strong><\/span>\u0131m\u0131za bu t\u00fcr bir tasar\u0131mla \u00e7\u0131kt\u0131<\/strong><\/span>\u011f<\/strong><\/span>\u0131 zaman, a\u00e7\u0131k\u00e7a itiraf etmesek bile, asl\u0131nda bunu bizim de tasarlayabilece<\/strong><\/span>\u011f<\/strong><\/span>imizi sanmam\u0131z, i<\/strong><\/span>\u015f<\/strong><\/span>in en ilgin\u00e7 yan\u0131d\u0131r.<\/strong><\/span> Elbette tasarlayabiliriz. Ama onu tasarlayan\u0131n bu i<\/strong><\/span><\/span>\u015f<\/strong><\/span>e \u00f6mr\u00fcn\u00fc adad\u0131<\/strong><\/span>\u011f<\/strong><\/span>\u0131 gibi, bizim de \u00f6mr\u00fcm\u00fcz\u00fc adamam\u0131z gerekir. O nedenle \u00f6rne<\/strong><\/span>\u011f<\/strong><\/span>in, ressam\u0131n alt\u0131 ayda yapt\u0131<\/strong><\/span>\u011f<\/strong><\/span>\u0131 bir resim, bir \u00f6m\u00fcr art\u0131 alt\u0131 ay, <\/strong><\/span>\u015f<\/strong><\/span>airin bir ayda yazd\u0131<\/strong><\/span>\u011f<\/strong><\/span>\u0131 <\/strong><\/span>\u015f<\/strong><\/span>iir ise, bir \u00f6m\u00fcr art\u0131 bir ay ediyor.<\/strong><\/span><\/p>\n

Bu s\u0131rad\u0131<\/span>\u015f<\/span>\u0131 \u00f6rneklere ula<\/span>\u015f<\/span>amasak bile, buradan kitesel <\/span>\u015f<\/span>artlanm\u0131<\/span>\u015f<\/span>l\u0131k zincirini k\u0131rabilmemize yard\u0131mc\u0131 olabilecek ipu\u00e7lar\u0131 ediniyoruz: Herkesin d\u00fc<\/span><\/span>\u015f<\/span>\u00fcnd\u00fc<\/span>\u011f<\/span>\u00fcn\u00fcn, herkesin akl\u0131na gelebilenin ve moda e<\/span>\u011f<\/span>ilimerin<\/span> d\u0131<\/strong><\/span>\u015f<\/strong><\/span>\u0131nda<\/strong><\/span> d\u00fc<\/span><\/span>\u015f<\/span>\u00fcnmek. <\/span>\u0130<\/span>lle de tersine de<\/span>\u011f<\/span>il, ama<\/span> d\u0131<\/strong><\/span>\u015f<\/strong><\/span>\u0131nda<\/strong><\/span>. Ayk\u0131r\u0131, marjinal ve zoraki yarat\u0131c\u0131 olmak kayg\u0131s\u0131yla, reklam ajans\u0131na bal\u0131kadam elbisesiyle gelmek gibi manyakl\u0131kardan s\u00f6z etmiyorum elbette. Ama yeri ve zaman\u0131 geldi<\/span>\u011f<\/span>inde herkesin, ofis, b\u00fcro, ajans diye konu<\/span>\u015f<\/span>tu<\/span>\u011f<\/span>u ortamda \u201cyaz\u0131hane\u201d demek, herkesin CV (curriculum vitae) dedi<\/span>\u011f<\/span>i <\/span>\u015f<\/span>eye, ans\u0131z\u0131n \u201c\u00f6zge\u00e7mi<\/span>\u015f<\/span>\u201di yap\u0131<\/span>\u015f<\/span>t\u0131rmak, y\u00fcksek yarat\u0131c\u0131 etki g\u00f6stermese bile, <\/span>\u015f<\/span>imdilerde tuhaf bir etki g\u00f6sterecektir. Tuhaf olan ard\u0131nda soru b\u0131rak\u0131r ve soru b\u0131rakt\u0131klar\u0131n\u0131z sizinle me<\/strong><\/span><\/span>\u015f<\/strong><\/span>guld\u00fcrler.<\/strong><\/span>\u00a0\u00a0 \u00a0\u00a0<\/span><\/o:p><\/span><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Yazan: Oktay Taftal\u0131, \u015eair, felsefeci, pedagog\u00a0 Diyalektik mant\u0131k a\u00e7\u0131s\u0131ndan insan bilinci, d\u0131\u015f\u0131m\u0131zdaki maddi d\u00fcnyan\u0131n bir yans\u0131mas\u0131d\u0131r. O nedenle topluma ve do\u011faya egemen oldu\u011fu varsay\u0131lan yasalar, ayn\u0131 zamanda bilincimize de egemen olan yasalar\u0131d\u0131r. Ba\u015flang\u0131\u00e7ta do\u011fan\u0131n bir par\u00e7as\u0131 olan insano\u011flu, zorunlu olarak bu yasalara t\u00e2bidir. Ancak insan, kurdu\u011fu medeniyet, ya\u015fad\u0131\u011f\u0131 tarih ve \u00fcretti\u011fi k\u00fclt\u00fcr sayesinde, do\u011fadan s\u0131yr\u0131l\u0131p […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_s2mail":"","footnotes":""},"categories":[78],"tags":[],"views":2364,"_links":{"self":[{"href":"https:\/\/kariyeryolculugu.com\/blog\/wp-json\/wp\/v2\/posts\/409"}],"collection":[{"href":"https:\/\/kariyeryolculugu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kariyeryolculugu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kariyeryolculugu.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kariyeryolculugu.com\/blog\/wp-json\/wp\/v2\/comments?post=409"}],"version-history":[{"count":0,"href":"https:\/\/kariyeryolculugu.com\/blog\/wp-json\/wp\/v2\/posts\/409\/revisions"}],"wp:attachment":[{"href":"https:\/\/kariyeryolculugu.com\/blog\/wp-json\/wp\/v2\/media?parent=409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kariyeryolculugu.com\/blog\/wp-json\/wp\/v2\/categories?post=409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kariyeryolculugu.com\/blog\/wp-json\/wp\/v2\/tags?post=409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}